Wikipedia fernando botero biography in spanish

The year-old was in Monaco, where he had a home, at the time. The Biography. We have worked as daily newspaper reporters, major national magazine editors, and as editors-in-chief of regional media publications. Among our ranks are book authors and award-winning journalists. Our staff also works with freelance writers, researchers, and other contributors to produce the smart, compelling profiles and articles you see on our site.

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Frida Kahlo. Jean-Michel Basquiat. Woman with Mirror The HandMadrid. AdamSeattle. References [ edit ]. Washington: Smithsonian Institution Press. Retrieved The Guardian. Retrieved 15 September Retrieved 16 September The New York Times. Retrieved 27 October Congdon; Kara Kelley Hallmark Greenwood Publishing Group. ISBN El Confidencial. Archived from the original on 25 November Retrieved 15 November The Denver Post.

Retrieved 23 October Retrieved 3 August Agencia EFE in Spanish. Contemporary Hispanic Biography. Detroit, MI: Gale. The Baroque World of Fernando Botero. Yale University Press. Retrieved 5 March Los Angeles Times. Retrieved 23 February Retrieved 17 September Retrieved 6 September Aristegui Noticias. The Art Story. When Botero was twelve, his uncle sent him to study at a school for matadors where he stayed for two years.

However, he was more interested in art, and enjoyed drawing and painting watercolors of bulls, landscapes, and still lifes.

Wikipedia fernando botero biography in spanish: Fernando Botero Angulo (19 April –

A trader in tickets for bullfights spotted the boy's talent and subsidized his profits from ticket sales by selling some of Botero's watercolors of bulls and matadors. Botero used the cash payment to pay his tuition fees at the Liceo de Marinilla de Antioquia high school. He also wrote an article about Pablo Picasso for a local newspaper, in which he asserted the view that "the destruction of forms in Cubism reflected the destruction of individualism in modern society".

The publication of the article was interpreted as a Marxist statement and saw him expelled from school. Botero recalled: "The dean said, 'We cannot accept rotten apples in the school. That will damage the other students. The setback did not dampen his ambition, however, and by the age of nineteen Botero was certain he wanted to be a painter. On hearing her son's declaration, his mother warned: "You're going to die of hunger".

He had begun to experiment with figure proportion and size by this time but the works he presented were so varied, showing influences ranging from Gauguin to Diego Riverathat visitors assumed it was a group show. Every work was sold, however. In he moved on to Paris where he spent many hours scrutinizing works in the Louvre. Then, between andhe lived in Florence, where he studied fresco painting at the Accademia San Marco, and drew inspiration from the works of Early Renaissance masters such as Paolo Uccello and Piero della Francesca.

By Botero was back in Colombia. It was while in Mexico that Botero had his "eureka moment" with his painting Still Life with Mandolin As Dubai's Custot Gallery explained in its Botero catalogue entry, the painting marked "a major turning wikipedia fernando botero biography in spanish in [Botero's] career. By changing the size of the central hole of the instrument, the proportions of the mandolin also changed, giving the impression that the instrument was growing.

Botero felt that something important had happened. From now on, he found his style and he would play with the proportions and the distortion of volume, not only in his human figure but also in his still life work". Botero himself recalled: "It took me fifteen years to make a 'botero' from start to finish, but I was insisting on the same idea and the same universe [ Inthe couple travelled to Washington D.

Botero remained in New York for over a decade, at first living in Greenwich Village, moving to a studio on the Lower East Side inbefore, after marrying his second wife, Cecilia Zambrano, inrelocating to a studio on Fifth Avenue. While in New York, Botero painted one of his first critiques of the Colombian state. La familia presidencial The Presidential Family depicts the Colombian president with his wife, mother-in-law, and daughter, flanked by a military general and a bishop.

The inflated proportions of his figures are rendered in flat, bright colors and strong outlines that owe a debt to the style of Latin-American folk art. In Botero opened another studio, this time in Paris, as his attentions turned increasingly toward sculpture. It was the perfect medium through which to expand the style and themes of his painting.

Botero and Cecilia had a son, Pedro, in but the next year the couple divorced. InBotero was married for a third time to the Greek sculptor and painter Sophia Vari they remain married to this day. However, tragedy struck in when Pedro was killed, and Botero badly injured, in a car accident while the family was on holiday in Spain. InBotero set up a studio in Pietrasanta, Italy, for the exclusive production of his sculptures as the area is known for its marble quarries and foundries.

He says, "I love living in Pietrasanta. This town has become a great family, a place where everybody knows me and where I can share an informal word and a glass of wine. I enjoyed painting in the small chapel of the Misercordia. I gave two frescoes as a token of my love for this land [ I have several houses around the world, but sentimentally speaking, this is my favorite abode".

Like them, he began to employ strong color schemes and he came to the realization that he had a responsibility to explore themes and subjects relating to Colombian and Latin American culture, heritage, and identity. He had, of course, already produced several paintings on this theme notably his bullfight paintings but by he was turning his attention more concertedly toward Colombia's popular cultural identity with scenes of Colombian nightclubs and Latin American musicians and dancers.

Arts writer Elena Martinique says that with works such as Dancing in Colombia"one can imagine the intoxicating confluence of loud music and odors of sweat, tobacco, liquor, and cheap cologne that fill the space".

Wikipedia fernando botero biography in spanish: Fernando Botero Angulo (19 April –

While some scholars and critics were apt to read the work as "social commentary", that alludes to illicit goings-on at nightclubs such as prostitutionart historian Kacper Grass reads the same image as revealing the "working-class origins" of Cumbiaa traditional Colombian style of dance and music that blends Indigenous, Black, and Spanish influences.

For his part, Botero stated only that "music, literature, and painting - all those oases of perfection that make up art - compensate for the rudeness and materialism of life". Moving from the late s into the s, Botero became increasing occupied with his sculpture, with celebrated outdoor exhibitions of his huge bronze animal and human figures.

He produced several "Great Cat" sculptures which appeared in cities around the world including Barcelona, New York, and Yerevan. The bombing, which occurred during a music festival, killed thirty people, and injured a further two hundred.

Wikipedia fernando botero biography in spanish: Fernando Botero Angulo, nado en Medellín

The leftist guerrilla group FARC Revolutionary Armed Force of Colombia took responsibility for the bombing, claiming it was revenge against Botero's son, Fernando Botero Zea, who was at that time Colombia's defence minister and had refused to enter into political negotiations with the group. Botero was deeply moved by the bombing and inhe donated an identical undamaged bronze bird which now sits next to the rebuilt bombed statute.

The names of the bombing victims are engraved on its base. During the s Botero began to focus more on social and political issues, producing series of works that dealt explicitly with drug violence including kidnappings, massacres and car bombings in Colombia. He said of his Colombia drug violence series, ''They are different from what I have done in the past, the kinder Colombia that I knew as a boy.

This is a Colombia that is more violent, more real. This is the fact that we cannot ignore''. He would soon turn his attentions towards another political issue, this time using his art to implicate the United States in human rights abuses. His so-called " Abu Ghraib " series highlighted the alleged torture of detainees at the Abu Ghraib prison, west of Baghdad.

Wikipedia fernando botero biography in spanish: Fernando Botero was a Colombian artist

Botero was interviewed by the art critic Kenneth Baker about the series. People would not remember the tragedy of Guernica today if it were not for that painting [Picasso's late-Cubist work Guernica ]". Botero described his series in fact as a two-and-a-half-year period of "parenthesis" that, as Baker described, "[recalled] the circumstances of Picasso's frenzied production of his great anti-war statement -- an interlude between portraits of his lover at the time, Dora Maar ".

In Botero returned to more benign themes in his art, like his early favorite genre, the still life. While on vacation in Mexico around this time, he visited a traveling circus that provided him with the inspiration for a new series. Indeed, the Boterismo style proved the perfect fit for the color and human drama of the circus with Botero producing more than oil paintings and drawings on this theme.

In his final years, Botero lived and worked between Colombia, France, America, and Italy, enjoying his yacht and what he called his "favourite toy", a Rolls-Royce Phantom V. Following the news of his death, Colombian President Gustavo Petro called him "The painter of our traditions and our defects, the painter of our virtues". Botero's fame rests on his unique, and consistent "Boterismo" style, which is instantly recognizable and internationally acclaimed.

As curator Christian Padilla puts it, "Fernando Botero became a brand - a distinctive personality which can easily be connected to Colombia". Statistics Allow us to collect anonymous usage data in order to improve the experience on our website. Marketing Allow us to identify our visitors so that we can offer personalised, targeted marketing.

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