Peter lindbergh biography books

I was 25 years old; I had never used a camera before. Lindbergh found out through a friend of a friend about a job opening as an assistant to a photographer named Hans Lux. Hans showed me Balcar strobes in his studio, and I remember being totally astonished that somebody used lights in that way. He was a commercial photographer without ambition, but a very human type.

He showed me everything, I knew nothing and, in a year and a half, I discovered the essential. Working with him was very important to me. It was during this time, that he changed his name to Lindbergh after learning that another photographer with the same name worked in the same city. He found the name Lindbergh in the directory and the rest was history.

After a year and a half, I thought I could go out on my own. I wanted to be an advertising photographer. It was the only thing I knew. Very quickly — within one year — I became well known in Germany, and in three years I got paid the most money of all German advertising photographers. One of my first ad campaigns was for Samson, the tobacco where you roll the cigarettes yourself.

I went to Amsterdam and went up to people on the street who were rolling cigarettes and photographed them. The style was totally reportage and unstaged. I basically felt that staged pictures were just stupid. Do you want to work for me and do stories? I did this story totally innocent — l had no real culture in photography. Just shoot the same style.

His wife hesitated. She nodded slightly. The moving van was booked the next day, and they relocated to Paris soon after. The funny thing is that everybody points to the British Vogue cover fromwith the five girls, as the moment when the supermodel era began, but it was actually happening two years before when we did the white-shirt pictures for American Vogue.

We are the leading fashion magazine. That is not my feeling of a woman.

Peter lindbergh biography books: Peter Lindbergh was a German fashion

Do a story and bring me back some pictures of what you think a woman could be. I went to L. The first problem was with the fashion. I still love the pictures. The pictures ended up running small in a story about how hair could be loose on the beach. Wintour commissioned Lindbergh to shoot the cover of her debut issue in Novemberfeaturing Israeli model Michaela Bercu in a cropped Christian Lacroix jumper and stonewashed jeans, smiling with her eyes half-closed, head-turning away from the camera.

It was the first-time jeans featured on the cover of Vogue and was a revelation for the time. The model that I have always had in mind was my girlfriends at art school dressed in jeans, t-shirt and tennis shoes. Practical women, who had plans and ambitions to achieve in life. I chose the beach because it is a flat and uniform backdrop, it allowed me to concentrate on what really interested me in a woman: the face.

That was the rubber stamp for the era — that cover of British Vogue. It was the first time the five of them appeared together and it ushered in a new era for supermodels. I just had no idea that this would make history. It just came naturally, effortlessly. We did not feel that we would change the world; it was all intuition. George Michael saw the photo and cast the five supermodels in his Freedom!

Peter lindbergh biography books: out of 5 stars ; Peter

Funny, I have never met George Michael. At the time I had no idea it was going to be so legendary. The idea of beauty had broadened; it could not be summed up with either a blonde, blue-eyed girl or a sexy brunette, he told her. There was a change in the air and Peter and Liz picked up on that. Coming out of the Eighties, which was all big hair and boobs pushed up, it felt refreshing and new.

They became more famous than movie stars and dominated magazine covers and fashion for the next fifteen years. When I saw Helena for the first time, I was flabbergasted. I said to her that I had this story in mind that I wanted her to be in — but asked her not to work for three months so that nobody would know her face when it came out. The idea for the narrative came from a Skywatcher magazine that someone had left in a waiting room at the American Hospital in Paris.

I then became fascinated by the images of UFOs and alleged aliens. And then I discovered that men spend the whole night outside, not far from Lockerbie where UFOs and aliens were allegedly spotted by scientistsusing binoculars to write down everything and try to identify it, totally ridiculous. Price: eight thousand dollars, inhuh! The most expensive prop I had used until then.

And you know who finally got his way. ET Story is one of the best photo stories to ever be published. The photos which are among his most famous are unique, combining elegance and romance in a Hollywood like narrative. She then takes him back to her home, an old trailer in the middle of nowhere. He falls in love with her…. But the Martian receives signals through a transmitter radio in the trailer and has no choice but to reunite with his friends, who are desperately trying to rescue him.

The title of the iconic photo came from the biker film, The Wild One which starred Marlon Brando as Johnny Strabler, the original outlaw biker. Nobody lived there. There was not one single shop. I really felt like I was the first person in the world to shoot there. There were only big rats running all over the streets. Lindbergh and Moss first worked together in and would go on to forge a close friendship, collaborating on various projects over the next two decades.

First picture of the session: Kate works in the fields, she pulls cabbages, she wears boots. Thanks to a scheduling conflict, the popstar was unable to attend and Moss was booked as a replacement. He was also a successful advertising photographer for many years and has even worked with film and music companies too. Lindbergh tried his peter lindbergh biography books at motion and directed several short films and documentaries: Models: The FilmInner VoicesPina Bausch and Everywhere at Once More than a documentary, Models was a way to better tell who they were, not to stop at the surface.

They were the models I worked with most often Christy was in Thailand in those days, unfortunatelyand I wanted to go beyond photography. For the experimental film, Everywhere at OnceLindbergh collaborated with Holly Fisher on the project. His elegant and cinematic images not only left an incredible mark in the photography and fashion world, but they also crossed over into popular culture.

In the late s, Peter Lindbergh dared to do what few fashion photographers had done before: he showed models as they were. His images of Linda Evangelista, Cindy Crawford, Naomi Campbell, Christy Turlington and Tatjana Patitz ushered in the new era for fashion photography and kickstarted the whole supermodel phenomenon. His comments on retouching and refusing to bow to digitally enhanced glossy perfection have helped to push the fashion industry in a more positive direction.

Lindbergh published 10 books. His first book, 10 Women has sold overcopies as of Lindbergh has twice collaborated on complete issues of Vogue. On these projects, he worked with his assistant Jethro Gaines. This should be the responsibility of photographers today: to free women, and finally everyone, from the terror of youth and perfection.

Peter is a photographer who will remain in the history of photography because he is not bound to the trends of the moment. He always kept his own identity. He is not a fashion photographer: he used fashion to talk to women, and to talk about women, which is very different. Peter has always been the type of person who shoots like how he shoots film: It goes nonstop and the film keeps rolling and it gives him an opportunity to get everything, and everything in between.

We are like brothers. When photographers of our generation tried their luck in America, we stayed in Paris. We grew up together. Peter is a very simple, honest, spontaneous, intense man. Those images of women allow a glimpse into a world of sensitivity and emotion; a vital and secret intensity that his eye was able to capture.

Peter lindbergh biography books: Peter Lindbergh ; Dior. 40th

It was his professional trademark: the use of black and white made his images unforgettable, like current traces of long-gone lives. His photoshoots can have the production levels of a Von Sternberg film or the simplicity of a casual snapshot on the streets. His photos over the last ten years could have just as easily been done decades ago and vice versa.

In this section, you can read excerpts from various interviews with Peter Lindbergh which explains his reasons for choosing black and white. The ideas that pushed me to choose black-and-white emerged very slowly. I used to be asked that question at every peter lindbergh biography books, and at first, I would always answer, black-and-white is an interpretation of reality, and transforming reality is the first step toward creating art.

The more I went on, though, the more I thought black-and-white represented a truth, a reality. Their images were shot in black-and-white and were linked to the idea of truth and reality. I think that in photographing models, or whatever, what interests me most is the face, the personality. Then I look at the results. Black and white just brings out the personality more.

Using black-and-white photography was really important to creating the supermodel. Every time I tried to shoot them in color because their beauty was close to perfection, it ended up looking like a bad cosmetics advert. With black and white, you can really see who they are. It toned down the commercial interpretation that color gives. For me, black and white gets through the skin, whilst color stops at the surface.

I can see better in black and white, and I can see better in pictures than in real life. The difference is that color is reality, and black and white probably one little step more towards art than reality. Fashion photography is foremost fiction. The fantasy is everything because ever since [the images] grow in your head you construct something together.

Then you get the right person for it, the right people. You go to the right place, and then the little thoughts you had become images — that is what you call fantasy. Sometimes his work is an elaborate short story told through stills. He transformed his models into heroines. Heroines that were not only beautiful but also had personality, intelligence and ambition.

To Lindbergh, fashion was always secondary to the model and their own unique story. Casting is the central point of my work because I am not a transforming photographer — I can only shoot people if I accept the way they are. I am not a photographer to take any woman; any model and transform her into what you want. Over a period of 10 or 12 years, I worked with 10 models at most.

Show full review. Albert Vroomen. This book features stunning images, organized by designer and their work. It's a must-have for fans of Peter. It's an excellent smaller and more affordable version of a classic. I wish Taschen would produce more books like this. It's a great reference for artists. One of the few photo books read this year.

Definitively the best book of Peter Lindbergh about fashion. Those black and white photographies are to die for. Fantastic insight to fashion and portrait photography. I wish there was way more text; there are only 5 pages of text out of the page book. But the pure artistry speaks for itself. It will forever be a great influence in my own photography.

Easy 5 stars. A must have for fashion lovers! Such amazing black and white photographs by the legendary Peter Lindbergh. Brendan Mansfield. What can I say? An absolute legend.

Peter lindbergh biography books: With an introduction by Werner

Stunning work, presented in a beautiful oversized book. Def worth checking out for any type of photographer. Nora Pumariega. Veselin Stefanov. Timeless classic from a timeless photographer! The curation of the pictures is very well done. Javier Amez. The portrait of Jil Sander that sits aside that quotation in the book is disarmingly empathetic and endearing to her, she flashes a particularly winsome smile in a moment made immortal by a man who had a rare command of photographic timing as well as composition.

But then, do the various oeuvres that comprise this retrospective really contain a feminist thesis? He was an unanimously beloved figure in the arts. I just think that from the vantage of passed time we can sigh in relief that well-intentioned photographers today do not have to operate within such a cynical and troubled zeitgeist. Esther Bauza.

Arno Stern. Peter Lindbergh contributor. To add more books, click here. Welcome back. Just a moment while we sign you in to your Goodreads account. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars. Want to Read saving… Error rating book. Images of Women by Peter Lindbergh photographer 4. Peter Lindbergh: Stories by Peter Lindbergh 4.

Peter Lindbergh: Invasion : Portfolio No. Smoking Women by Peter Lindbergh it was amazing 5. Photographien by Peter Lindbergh it was amazing 5. Giorgio Armani. Collezione primavera-estate by Peter Lindbergh 0.