Alireza mashayekhi biography of christopher

This and his fondness for Iranian culture were the cornerstones of his artistic development. Mashayekhi's compositions have tended towards three major directions: pieces that are directly inspired by Iranian music e. Symphony No. Iranian contemporary composerAmin Sharifi b. Young, and Sean Shepherd. A collection of painted pieces of music, a combination of Middle Eastern musical elements and Persian architectural ideas, impressionistic atmosphere, the effect of shifting colors, as well as improvisatory and aleatoric forms are what to expect to hear in this album.

Both of his albums are available physically and digitally worldwide.

Alireza mashayekhi biography of christopher: Alireza Mashayekhi is one

Mahyar Hemati b. He started music at the age of thirteen with self-taught playing classical guitar and learning music theory. He attended the Tehran Conservatory in in the field of composition and after graduation, continued his educations on his own, alongside some composition workshops and master classes. Inhe attended a classical guitar workshop in Finland Sibelius Academy under Dr.

Jukka Savijoki and a composition workshop focusing on spectral music under Dr. Rakel Tikkanen. Inhe participated in a composition and conducting master class under Prof, Ferdinando Nazzaro in Ukraine and inhe took part in a composition master class under Dr. Joseph Sowa United States. He also received commissions from a number of ensembles and performers and institutions such as: Tbilisi Opera House Georgia Contempora Ensemble Macedonia Tania Sikeliano Greeceand others.

InMimesis has been selected as the best classical album by the Iran House of Music. This album also earned the first prize at the Fajr International Festival in Iran in the Barbad Awardbut the artist refused to accept the prize out of protest because it was given out by the Islamic government and so served as a tool for its propaganda.

I studied electroacoustic composition with Wolfgang Suppanfrom toat University of Music and Performing Arts Vienna MDWpracticing with him for the most part algorithmic composition, and, thereafter, have been composing in new arrangements under Karlheinz Essl's supervision. During the latter period, for instance, I wrote a piece for organ, which Wolfgang Kogert performed at Wiener Hofburgkapelle.

He studied composition with Mohammad H. Parsa won 3 prizes in the International composition competition "Donne in Musica ". Over years of expertise in sheet music. Close menu. News Our composer Zeynep. Our composer Brenda Patterson. Our composer Paolo Porto. Sef Albertz' Piano Concerto Work insights. Felix Mendelssohn Bartholdy: Symphony No.

In conversation with Jaehyuck Choi. Unser Komponist Chen Yao. Our spring catalogue is here! Sef Albertz in focus. Our composer Wenjing Guo. Musical artist. Early life and education [ edit ].

Alireza mashayekhi biography of christopher: Alireza Mashayekhi. Alireza Mashayekhi

Career [ edit ]. Musical language [ edit ]. Released albums and published books and scores [ edit ]. See also [ edit ]. References [ edit ]. Retrieved July 4, Signal to Noise. Retrieved However, if you listen to my early electronic music from —68, for instance Shur and East-Westyou will immediately realize that my compositional style was not influenced by any composers.

I do not recall any other Iranian composer being involved in electronic music during the s, either inside or outside of Iran. If there was, I was not aware of it. When I started to encourage young music students to pursue new music, there were no electronic studios in Tehran. I had just finished Shur and I was planning my composition East-West.

At that time I started to teach twelve-tone music to some of my students, among them Mr. Dariush Dolat-Shahi 1 [ 1. I tried to interest my students in musical approaches other than Iranian or Western Classical. Some of my early electronic works involved algorithmic processes. More often, though, my works are defined by a strict organizing of an order or orders and a set of disciplines that serve to break apart the first order or orders.

The best example of this approach is the composition East-West. In the s, I used a simple computer program to achieve full automation to compose works including Iranian AestheticsChahargah Nr. My work with electronic music continued, most substantially, in the s and early s, often using the computer programming language XPL. A number of my instrumental works have included electronic tape and several have used various forms of live electronics in conjunction with traditional Iranian and Western instruments.

Some of my live electronic works developed in stages: Saba Chahargah Nr. The digital processing includes filters, equalization and other effects. I continue to compose with electronics today in a private studio in Tehran owned by Mr. Ali Mardani. Recently, some of my compositions have been realized with the interaction of computer, especially the as-yet unfinished opera, Shahrzad.

Alireza mashayekhi biography of christopher: Ashkan Behzadi, a – Guggenheim Fellow

I am currently in the process of composing two major works that include live electronics, one for orchestra and the other for piano. Ata Ebtekar [also known as Sote ] is serving as my advisor on computer matters. I am interested in regard to meeting different cultures as a superlogic leading the content of music towards totality. I look for concepts and elements that are related.

I can reach a new quality of sounds in the process of composing; discovering and attaining a new level through quantitative developments. In my philosophy of music, I describe this idea as a dual function facing the composer, consisting of composing and discovering. Composing is just one part of what a composer does, and the other part is discovery; a lot of this is rooted in destruction of form and material.

In my opinion, every technique that can be helpful on the road to discovery may and should be tried. Some have observed that most performers of traditional instruments show great resistance to contemporary music, when they react at all. In the s, many composers of new music made a big mistake in isolating themselves from a large audience of listeners.

I can recall a concert in downtown Manhattan at The Kitchen, where a very interesting composition by a notable American composer was performed in the presence of six listeners! In situations like this, I learned a great lesson that helped shape my movement in Tehran. Verbal communication in the form of simple worded lectures and press interviews had an enormous impact on the audience.

It is always important to show the fact that contemporary music is not just for the elite. His repertoire also includes compositions for tape and live electronics, where he artfully melds traditional Iranian and Western instrumental sounds. The term "Meta-X" delineates his compositional ethos, spotlighting the coexistence of diverse auditory elements within his music—this encompasses the juxtaposition of tonal and atonal, the interplay between improvisation and predetermined structures, and the fusion of Persian and non-Persian musical idioms—all converging harmoniously within a singular opus.

Over years of expertise in sheet music. Close menu. News Our composer Zeynep.

Alireza mashayekhi biography of christopher: Alireza Mashayekhi was born in

Our composer Brenda Patterson. Our composer Paolo Porto. Sef Albertz' Piano Concerto Work insights. Felix Mendelssohn Bartholdy: Symphony No. In conversation with Jaehyuck Choi. Unser Komponist Chen Yao. Our spring catalogue is here! Sef Albertz in focus. Our composer Wenjing Guo. Hikaru Suzuki's 24 Concert Etudes for Pianists. Willkommen zu den Gustav Mahler Musikwochen Toblach !

Interview with Jan Moritz Onken. Unser Komponist Weiya Hao. Mauricio Kagel Kompositionswettbewerb. Unser Komponist Tian Tian. UA Fennessy. In conversation with Jan Emanuel Abras. Launch of Molinari Quartet's 9th Composition Competition. Cooperation with the Central Conservatory of Music. In conversation with Luukas Hiltunen. Our Composer Doina-Cezara Procopciuc.

David Moliner's Composition Mentoring Program. The history of women in classical music. Annamaria Kowalsky in focus. David Moliner in focus.